BoydAllen said:Speaking of bronze brushes, and concentric contact at the crown, one little trick that I try to remember to do is to straighten new brushes after they are installed on the rod. I turn the rod and bend the brush as needed so that it has as little wobble as possible. Sometimes, when I remember to, I turn the rod a quarter turn or so each time that it clears the muzzle.
On the subject of some of the excellent high magnification pictures of crowns that have been posted in the past, it seemed to me that the patterns may have extended beyond the reach of a brush in some cases.
Another little tip relating to bronze brushes is that they are ground off at the tips of their bristles as they are used. This may be readily seen by new and used brushes. The reason that I mention this is that I have come across more than one fellow who could not figure out why he got more color on his patch after brushing. Of course the answer is that it came from what I call brush dust in the bore. This is why I always follow brushing with at least two wet patches, before giving the solvent time to react with whatever may actually be left in the bore by bullet jackets. Otherwise I would get a false reading.
Hi Boyd! I agree about the false reading..for sure.
But IMHO, all this talk about brushes and crown damage, is a solution looking for a problem. In the pic above you can clearly see that the crown is somewhat dulled...but not by the brush. Rather, heat is what smoothly and uniformly did most of it, or the leading edge would be "scratched" dull..not smooth.
Of course as I said, if it makes one feel better, do it. It's certainly not going to hurt anything by removing the brush at the end of the stroke. More importantly, the throat is worn smooth the same way..by heat, but much faster. That's what breaking in a barrel is all about. The extreme heat smoothes the throat, and to some degree, the whole bore, when fired. Built up carbon/copper shields the bore from the heat and it doesn't smooth up evenly unless we remove the build up after each shot until fouling stops..or very near it. That, IMO, is what barrel break in is all about. The second pic is of very small burs left after crowning, but the same same happens when chambered...and even when the barrel is rifled. If we had a throat that is all smoothed up only half way around..and burs left on the other half, it would look like a combination of the two pics...but of the throat. The erosion of the metal slows down greatly once the surfaces are smooth. I like to use the analogy of running a torch flame over the end of a piece of metal right after cutting it off with a band or hacksaw. The sharp burs will almost instantly glow cherry red and burn away. But when the burs are gone and the edge is smoothe, the flame will ride over the edge and not burn away metal. Smith and Wesson used this same principle on their big 500 s$w revolvers. The early ones had trouble with flame cutting of the frame in front of the cylinder. All they did to remedy it was to polish the frame and new guns.
Sorry to get of topic to some degree here, but I think it's still relevant. Flame and heat is more of a concern than is a bronze brush.--Mike