I've seen numbers from 16,000 to 19,000 fps.I believe the speed of sound in stainless is 2000 fps.
I've seen numbers from 16,000 to 19,000 fps.I believe the speed of sound in stainless is 2000 fps.
And I believe the speed of sound in water is over twice that so.........I believe the speed of sound in stainless is 2000 fps.
I also don't make barrels out of glass or other stiffer mediums so I didn't include them.
Does any engineering data on line list speed of sound in solids and liquids?My point is, NEITHER OF US knows what we're talking about
Tested at 0,5,10,15,20&25. The zero quadrant was best.View attachment 1075755
I don't pull this stuff from my back side. I bet your crowd isn't as fast as the laser accelerometer and other test equipment that we used to come to valid conclusions. I don't post things that are tuner related that are based on my opinion, belief or open mindedness. When it comes to tuners, I've measured, quantified and verified before I post it. And yes, even tested it on paper, albeit with my meager shooting abilities.... a lot!
As I said, use it the way you feel works best for you. This isn't a pissing contest. Have it your way but we've come a long way in a pretty short time with using tuners by keeping to an honest and consistent message regarding small and methodical adjustment.
The problem with tuners was never that they didn't work...it was how we were using them. If you're seeing something that I'm not, that's great but from what I understand, the quadrant method is about a wider node location in regard to how far you can move the tuner and it stay in tune...which is irrelevant to condition related tune stability...which is what does matter. Furthermore, it's also irrelevant if you know how far and when to move the tuner to fix it.
I'm glad it's working for you regardless.
What's wrong with group 3A?
Wha'BAMMM!Mike
It's a great group. But I'm looking for a setting where the bullets impact at the same spot on the target over a large tune window. It's my take on positive compensation. Once you find that spot it's much, much easier to keep the rifle in tune.
Bart
Mike
It's a great group. But I'm looking for a setting where the bullets impact at the same spot on the target over a large tune window. It's my take on positive compensation. Once you find that spot it's much, much easier to keep the rifle in tune.
Bart
Interesting objective.But I'm looking for a setting where the bullets impact at the same spot on the target over a large tune window.
Wha'BAMMM!
well said
so.... while that pertickler hole is "just a good little clump" all by itself it's the STRINGS of good little clumps yer looking for.... and how they're hangin'.....
and where
Bart if I tol' ya' what I think you'd get all embarrassed and stuff ......What do you think AL? Can you see the advantage to having a barrel that shoots in the same spot over an extremely large load window? Mike says I'm making it too complicated! I know it works out to 600. Next year we will see how it does at 1000. What I have is an edge.
Bart
Bart if I tol' ya' what I think you'd get all embarrassed and stuff ......
I am deeply honored to be in the same room with folks like yourself (and yes, like Mike.... I ain't playing favorites) out here on the freakin' bleeding edge.
And, what you're saying is basically what Jim Borden taught in a class I attended back in 2000,
And, weirdly enough, I shot my LG at 600 NBRSA today with a Borden prototype tuner!
(talk about Olde Schoole!!)
Honestly, I've never considered the segmented "quadrant" approach but I shoot at large pieces of paper (construction blueprints) with horizontal ruled lines, hashes and aiming circles. Long strings of groups, sometimes takes 3-4 days to fill a paper, PRECISELY because it allows me to see how groups form in relation to each other......
And also to see the (deer tracks??)
dunno, I can't really say WHAT I'm looking at
But I can SEE IT!
LOL
And BTW as per "having an edge???"
Dude.....
I fish, (better)
I hunt, (better)
I run a construction business.....
I don't fish to drink.
I don't hunt "to enjoy God's Creation" and
I don't run a construction company "because I need a job"
In my mind, without an EDGE, if I'm just out there panting along with the pack
I might just as well set on the porch and rock
til the chair stops
BTW when Jim taught it it was about TUNING, called "sine wave tuning"
Not tuners
Different strokes
same song.
OK, so I'ma' give YOU something to chew on..... I've got several prototype tuning systems I'm working with where there's a lobe, a weight, a cam-shaped plate sandwiched between the two locking rings. The lobe can be oriented wherever you want it.AL,
I’ll show you tomorrow what I’m doing and how I arrive at what I’m doing. It’s not Jim’s sine wave method. You can’t do what I’m doing without a tuner.
In fairness Mike Ezell’s tuner is a great piece of work. The problem is Mike doesn’t realize there’s another Level to using a tuner.
I’m going to explain this one time on the board. After that I’m Never going to mention or discuss it on this board again!
Hope everyone has a good night!
Bart