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All of your words speak to me, but your last line speaks volumes.Thank you for the kind words! You are spot on with a ton of hand work. All the filing, rasps, hand sanding, and especially the checkering takes time and patience. I like to think I have plenty of patience for this sort of craft.
Going from blank, or even a raw stump, to finished stock is a tall task. But now that I have gotten the hang of it and I feel like every piece I make I get better. I can live up to those words "Life is too short to shoot an ugly rifle" I was told almost the same thing by my father long ago.
My real goal was to make something I couldn't readily afford to purchase, so I tried to make it instead.
That would be awesome. I have an izhmash biathlon k2 I've wanted to restock, figure I would start out on it at some point. Haven't measures the moisture of my wood lately but think on piece had died off a while back and might be pretty close. Will probably check it sometime soon and see if it is ready to start working. Thanks againIf you ever decide to take on the challenge, I will do my best to help, guide, or assist in the venture.
I am not sure where the blank came from. I received it in a trade along with 4 other blanks. I crafted one of the blanks for the gentleman as a part of the trade deal. He was in PA and purchased them at an estate sale, I have no knowledge beyond that.Would you share where the blank came from? I am looking for a blank for a project now.
hunskihardwoods.com
www.customshopinc.com
Peter,CStuck, your work is absolutely beautiful. Forgive me for this amateur question. When contemplating staining a walnut stock, is there a method of applying a solvent or similar to estimate what the grain and figure will look like un-stained with a clear finish? I really like the old reddish colors of bygone days, like a Pilkington red, but don’t want to lose or hide the natural beauty. Once applied, it seems there is no going back.
Thank you, Peter.

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