Here is a brain burner for you guys that chamber rifles...I have a good friend and gunsmith that is chambering up a Shilen 6.5 caliber S/S barrel in 6.5x55 using a new PTG solid pilot reamer.
He cut the chamber and had major chatter in the finished chamber..now keep in mind he has been chambering rifles for 20+ years and uses a quality lathe made in the late 60s..he sets up the barrel in the headstock with the muzzle riding on a 60 degree center in the rear of the headstock just like "Jackie Schmidt" he uses the best sulpurized cutting oil etc..never experienced chatter "ever" when chambering barrels...he called me and asked what I thought...I could not find anything in his setup...I recommended he use my floating reamer holder for the second chamber attempt (he cut off the the threaded shank to start over) he started to cut the chamber about .050" an stopped to check it with an indicator...it looked good and measured almost "zero" runout...so he proceeded to cut the chamber..as he neared the correct depth for headspace...he stocpped and checked the chamber at the neck portion with a long reach indicator and I couldn't believe it...the indicator was jumping up and down like it was riding over the lands and grooves..!!!
He was understandibly frustrated..and decided to polish the chamber with some 400 grit paper and assemble the barrel and shoot it to check the effects on the brass...he later called me to tell me the neck of the fired brass was eliptical and was going to stop and call Dave Kiff for help...Dave recommended he send the reamer back for inspection...but did not offer an explanation..we are both at a loss on this one...by the way the reamer never cut on all flutes...anyway this has been a real brain teaser for us...have any of you experienced anything similar???
Eddie in Texas
He cut the chamber and had major chatter in the finished chamber..now keep in mind he has been chambering rifles for 20+ years and uses a quality lathe made in the late 60s..he sets up the barrel in the headstock with the muzzle riding on a 60 degree center in the rear of the headstock just like "Jackie Schmidt" he uses the best sulpurized cutting oil etc..never experienced chatter "ever" when chambering barrels...he called me and asked what I thought...I could not find anything in his setup...I recommended he use my floating reamer holder for the second chamber attempt (he cut off the the threaded shank to start over) he started to cut the chamber about .050" an stopped to check it with an indicator...it looked good and measured almost "zero" runout...so he proceeded to cut the chamber..as he neared the correct depth for headspace...he stocpped and checked the chamber at the neck portion with a long reach indicator and I couldn't believe it...the indicator was jumping up and down like it was riding over the lands and grooves..!!!
He was understandibly frustrated..and decided to polish the chamber with some 400 grit paper and assemble the barrel and shoot it to check the effects on the brass...he later called me to tell me the neck of the fired brass was eliptical and was going to stop and call Dave Kiff for help...Dave recommended he send the reamer back for inspection...but did not offer an explanation..we are both at a loss on this one...by the way the reamer never cut on all flutes...anyway this has been a real brain teaser for us...have any of you experienced anything similar???
Eddie in Texas