Inside neck turning has always sounded like a good thing to do, but apparently one needs some very special and expensive equipment to do it right, and . . . there's the question of whether the effort and expense is worth the improvement it might provide.
I find neck turning the outside really helps with improving the tuning of the cartridge and so I do that on all my brass after fire forming it. But, I've often struggled with thoughts on how the fire forming tends to move any neck wall thickness variations from the outside to the inside (to some degree or another), which seem to kinda defeat the effort to get a uniform thickness so that one has even neck tension all round the neck.
When I used a Lee Collet Die, I took measurement before and after and found that I'd gain .002 - .004 in case size. So, the collet is squeezing the neck and like would happen if it were clay, the brass squeezes the brass outward as it's being pressed against the mandrel. As I thought about what is happening here, it occurred to me that the process was not only squeezing the brass making the neck longer, it was also squeezing the brass to where the wall thickness was being evened out over the entire neck (much like squeezing clay around a pipe, leaving a perfect impression of that pipe). Though, unlike clay, brass will have some spring back (if it's not overly annealed, of course).
So, in order to see if this was actually happening, I took some brass that had significant differences in neck wall thickness, measuring them with a tube micrometer before and after the use of the Lee Collet Die. Sure enough, after running them through the die, the variation in wall thickness was reduced. And then, after turning the outside of the necks, I found a variance running from .0002 - .0004 in thickness. This variance was way less than what I had before I turned them, indicating that the Lee Collet Die had moved most of variance to the outside.
Having gotten these results as led me to use the collet die all time time only before doing any neck turning. And I'd say it's helped a lot in getting uniform neck tension.
Many times I searched the net, including this web sight, to see if anyone else has been doing this and I haven't see nor heard anything about it. How about anybody else here? Has anyone ever heard of this?
I find neck turning the outside really helps with improving the tuning of the cartridge and so I do that on all my brass after fire forming it. But, I've often struggled with thoughts on how the fire forming tends to move any neck wall thickness variations from the outside to the inside (to some degree or another), which seem to kinda defeat the effort to get a uniform thickness so that one has even neck tension all round the neck.
When I used a Lee Collet Die, I took measurement before and after and found that I'd gain .002 - .004 in case size. So, the collet is squeezing the neck and like would happen if it were clay, the brass squeezes the brass outward as it's being pressed against the mandrel. As I thought about what is happening here, it occurred to me that the process was not only squeezing the brass making the neck longer, it was also squeezing the brass to where the wall thickness was being evened out over the entire neck (much like squeezing clay around a pipe, leaving a perfect impression of that pipe). Though, unlike clay, brass will have some spring back (if it's not overly annealed, of course).
So, in order to see if this was actually happening, I took some brass that had significant differences in neck wall thickness, measuring them with a tube micrometer before and after the use of the Lee Collet Die. Sure enough, after running them through the die, the variation in wall thickness was reduced. And then, after turning the outside of the necks, I found a variance running from .0002 - .0004 in thickness. This variance was way less than what I had before I turned them, indicating that the Lee Collet Die had moved most of variance to the outside.
Having gotten these results as led me to use the collet die all time time only before doing any neck turning. And I'd say it's helped a lot in getting uniform neck tension.
Many times I searched the net, including this web sight, to see if anyone else has been doing this and I haven't see nor heard anything about it. How about anybody else here? Has anyone ever heard of this?