I've had a little discussion about my hypothesis that ED/Super ED glass is less affected by mirage compared to regular glass, at another forum that snipes at everything and likes to hide.
During the discussion, I came up with this attempt at an explanation as to why this could be something valid. I'm reposting it here in the hope that I would get some constructive comments that would either confirm or infirm my thinking.
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There are essentially three areas that make up a riflescope and they each have a bearing on the magnification of the image. These areas are the objective lens group, the erector tube and the eyepiece. The magnification range of a riflescope is a combination of these three sections. For a 5-50X56 like my long-used and superb March-X scope, the base magnification (5X) is the objective group focal length divided by the eyepiece focal length. The 5 to 50 is, you guessed it, the 10X zoom ratio afforded by the erector tube assembly.
A riflescope essentially forms an image at the first focal plane that is somewhat magnified and from that point on, the erector assembly zooms in on that image to project a magnified portion of that image on the second focal plane which is in turn, inspected by the eyepiece, an afocal optics that then transmits the light to the eye. If you compare my 5-50X56 to a spotting scope, you would have to compare it to a very weak spotting scope. My Kowa is a 27X with the LER eyepiece. I also have a zoom eyepiece, but the zoom is done in the eyepiece not in the scope body. The base 22x of my zoom eyepiece is what you would compare to the base 5X of my March.
The zoom assemblies, whether in the eyepiece or erector tube only magnify the image presented at the first focal plane in front of the erector tube in my riflescope or at the prism in my Kowa.
We have seen in this thread that people turn down the magnification when the mirage gets bad. Camera buffs like me know not to use long lenses when shooting through mirage. The longer the focal length to the first focal plane (or camera sensor), the more the image will be distorted by the mirage because it’s compressing more distortion in the atmosphere. In a riflescope, after the first focal plane, the image will not be catching any more mirage, there are no atmospheric conditions in the scope further distorting the light rays. What is happening however, is that zooming in on the first focal plane is bringing out the distortion the image may have from the mirage. So it is important to get as clear and crisp an image in the first focal plane as possible so as not to detect the distortion.
Think of it as the photographer taking a picture (the first focal plane) and then zooming in on the image the camera sensor captured. Further this image is static, frozen in time, which highlights any moving distortion, unlike a riflescope in which everything is in motion, fluidic. Let’s say you take a picture with a 200mm lens onto a 35mm sensor. Right off the bat, you have 4X, as a normal lens is about 50mm. If you make an 8X10 of that picture, you zoomed 8X, so the 8X10 picture is a 32X representation of the subject. Now, let’s say you take the same picture and you want to keep at 32X overall. If you use a light telephoto like a 100mm, you would need to blow it up to a 16X20 to get the same results. Of course, we could only look at the picture through a hole about an inch and some in diameter, (the eyepiece of the riflescope). Now if the resolution is low (think number of pixels), blowing up an image that much will create some issues. This is where glass quality comes in. Great glass will provide a higher resolution image and you will be able to distinguish objects properly even at large magnification. Now if mirage gets into the action and you started with oh-hum quality glass, the image that looked fine when the air was still gets jumbled up more quickly when the mirage comes in to distort the image. If the pixel count is merely adequate to blow up to 32X, adding the mirage distortion is going to mess up that image faster than if I started with a higher pixel count image and blew it up to 32X.
With the higher pixel count image be immune to the mirage? Not on your life, but it won’t be as bad as for the lower pixel count image. Now adding the chromatic aberration effect of lower quality glass resulting in lower contrast and you can really mess up an image with mirage.
The goal is to provide the very best image to the first focal plane, with the best contrast and highest resolution possible. When people turn down the magnification of their scope, they are just reducing the magnification after the first focal plane. They are not reducing the focal length of a telephoto or telescope. A spotting scope inherently has a long primary focal length, but it also has a larger objective, which I think helps the image quality (resolution), but only up to a point which I believe is less than in a riflescope.
The image at the first focal plane of my March-X 10-60X56 HM happens to have incredibly high resolution, excellent contrast, and very low aberration. I see the mirage, I detect the effect of the mirage but it doesn’t mess up the picture to the point I can’t see the rings on the target distinctly.
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That pretty much shut down the discussion there. Either it was over everyone's head or it was so far off the reservation it was not worth discussing.
I was at a match last Sunday, shooting at 50X at 1000 yards and loving it. 50X is my new normal. The lines on the target were shimmering twinkling, vibrating, the mirage was miraging, but it was clear and I could place my center dot exactly where I wanted it to be.