Since Lapua doesn't polish their annealing colors away, you have a pattern to follow. When I helped a friend set up a machine, that uses two torches pointing toward the center of the neck, spaced so that the case doesn't have to rotate, but pauses in the flames for the selected time, we found that if we painted a narrow stripe of 500 degree Tempilaq down body of the case, from the shoulder to the head, and held the inner cone just off of the center of the neck, that when the Tempilaq changed to a point that was a half of an inch down from the shoulder that the time was about right to not over do the necks, and to soften the shoulder enough to allow for uniform bump when FL sizing. By the use of the metronome, and the Tempilaq, as crutches, you will eventually develop an eye, and possibly not need them, but having the timing, and flame position the same for each case, is very important to the uniformity of annealing, which is the advantage of using a machine. My friend did not want to buy a machine, so he created similar uniformity. Personally, I like the idea of having some references to work by. Just as if I were tightening connecting rod bolts in an engine build. I could probably do it by feel, but I would rather know that they were all the same, and what they were supposed to be. For the infrequent annealer, I think that crutches are appropriate.